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Rdeči čeveljčki (Red Shoes) (1994)

– RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt. The surroundings, the architectural settings of the video dance work is a carefully chosen by Grzinic/Smid. This is a place “with the past”

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Transcentrala (1993)

– A documentary/artistic project about the Neue Slowenische Kunst (NSK) movement (Laibach, IRWIN, Cabinet Noordung) in Ljubljana. Involves members of the core of the NSK and together with them, we travel into the structure of the “utopian” NSK state, a

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Labirint (Labyrinth) (1993)

– This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte’s paintings and

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Ženska, ki nenehno govori (The Woman Who Constantly Talks) (1993)

Five women in five video stories are incessantly speaking with words, gestures, bodies, (false) moves about our myths, our lives, our lies, our countries, our racism, our lost territory, our lost bodies and our fears. But this is only one

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Tri sestre (Three Sisters) (1992)

– A classical text by the Great Russian writer from the beginning of the last century Anton P. Cehov about soldiers and ethics are transposed in our time. Documentaries about the war in Croatia, one of the Republic of the

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Sejalec (Sower) (1991)

– The video project SOWER is a story about the political universe of Slovenian art and culture in the 1991. The documentary material is chosen from the 10 days war in Slovenia in June/July1991. Art and its political background are

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Dokumentarni video filmski angažmaji (2013)

Nina Cvar, Peter Karba 21.01. 2013, Ljubljana, Temna zvezda/ http://www.radiostudent.si Drage poslušalke in poslušalci, prav lepo pozdravljeni v prvi letošnji ediciji Temne zvezde, v kateri vam bomo predstavili dva filma, ki ju druži angažirana namera po vizualizaciji genealogije, izpisu zgodovine in

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