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From Biopolitics to Necropolitics: Marina Gržinić in conversation with Maja and Reuben Fowkes (2012)

Maja and Reuben Fowkes (Budapest & London) Tuesday, 09 October 2012 00:05/ http://www.artmargins.com Marina Gržinić is a philosopher, artist and theoretician, and a research director at the Institute of Philosophy at the Scientific and Research Center of the Slovenian Academy

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Moscow Portraits (1990)

Moscow portraits is a video project, which reconstructs the work and life of the great Russian avant-gardist, suprematist painter from the 1920s – Kasimir Malevich. His ideas and works are transformed through six bizarre portraits of a “man reading Malevich

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Bilokacija (Bilocation) (1990)

– BILOCATION means the residence of the body and soul in two different places at the same time – simultaneously. It is the perfect term for delineating the processes going on in the video medium and for describing the hell

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Žed (Thirst) (1989)

Thirst is a metamorphosis of the socialist realism way of existence and of its symbols. The story of a man facing his lost time and his indispensable future. It is also a video homage to Yugoslav black-wave films of the

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Images of Struggle/Decoloniality + Naked Freedom. Video-interview with Marina Gržinić (2011)

part 1 part 2 video-interview with Marina Gržinić, Ljubljana 2011, by kronotop.org

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Fiction Reconstruced: Eastern Europe, Post-Socialism and the Retro-Avant-Garde (2000)

Written by the Slovenian philosopher and media artist Marina Grzinic – Published by edition selene Vienna + Springerin, Vienna, 2000. In Englih, 230 p. with b/w reproductions. From the introduction in the book Fiction Reconstructed by Marina Grzinic. Published by

Posted in books

Spectralization of History, Spectralization of the Image, Spectralization of Europe (2000)

by Marina Grzinic In the context of the relation between history, activism, the image and capital, I would like to outline some topics that deal with capital, gender and positioning, i.e. with theory and history. My principal question is what

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