{"id":183,"date":"2013-02-12T20:08:06","date_gmt":"2013-02-12T20:08:06","guid":{"rendered":"http:\/\/stage.grzinic-smid.si\/wp\/?page_id=183"},"modified":"2024-08-14T07:29:55","modified_gmt":"2024-08-14T07:29:55","slug":"presentations","status":"publish","type":"page","link":"https:\/\/stage.grzinic-smid.si\/?page_id=183","title":{"rendered":"PRESENTATIONS"},"content":{"rendered":"

VIDEO-FILM SCREENINGS (selection)<\/strong><\/p>\n

– World Wide Video Festival, Den Haag, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995
– European Media Art Festival, Osnabruck, 1988, 1990, 1994, 1995, 1997, 1999
– Videonale, Bonn, 1992
– Muu Media Festival, Helsinki, 1990
– International Video and TV Festival, Montbeliard, 1992
– Grand Prix Video Danse, Paris, 1993
– London Film Festival, 1996
– Viper, Lucerne, 1994
– Oberhausen International Short Film Festival, 1994, 1995, 2000, 2003
– Mediopolis, Berlin, 1996
– Videoformes, Clermont-Ferrand, 1996
– Caixa, Mediateque, Barcelona 1999
– Viper, Basel 2000
– Stuttgart film festival 2001
– Kassel Documentary Video Festival 2003
– Oberhausen International Film Festival, Oberhausen, Germany, 2008
– Osnabruck Media Festival, Germany, 2009<\/p>\n

EXHIBITIONS, INSTALLATIONS, SCREENINGS FROM 1990s (selection):<\/strong> <\/b><\/b><\/p>\n

1990-2000<\/strong><\/span><\/p>\n

– Retrospective presentation with exhibition of video installations, Information Center of the Museum of Modern Art in Ljubljana, 1991<\/p>\n

– Europe, Europe, Hundred Years of Avant-garde in Central and East Europe, Bonn, 1994<\/p>\n

– I and the Other (Ik + De ander) at the Beurs Van Berlage, Amsterdam, 1994<\/p>\n

– Video Viewpoints Program at the Museum of Modern Art (MOMA), New York, 1994<\/p>\n

– Presentation of the media installation at the ICC Biennial Manifestation, Tokyo, 1997<\/p>\n

– Steirische Herbst, Net_art Condition project, curated by P.Weibel, (coproduced with ZKM, Karlsruhe), 1999<\/p>\n

– After de wall, Moderna Museet, Stockholm, 2000<\/p>\n

– Positionen, Museum 20Jahre, Vienna, 2000<\/p>\n

2001-2009<\/span><\/b><\/p>\n

– Solo exhibition Grzinic and Smid at Broadway gallery 450, New York, 2001<\/p>\n

– Solo exhibition Grzinic and Smid (multimedia, videos, internet) at Centro Arte Alameda, Mexico City, Mexico, 2001<\/p>\n

– Recent works, 2 hours program Grzinic and Smid at the Mediateque, San Francisco, 2001<\/p>\n

– Group show (Grzinic\/Smid, Valie Export, etc), Gallery Charim- Clocker, Vienna 2001<\/p>\n

– Group show, 100 years of Lacan, at The Freud Museum, Vienna 2001<\/p>\n

– Kyoto Biennale, 2003<\/p>\n

– Artimage, Biennale of Architecture and Film, Graz, 2003<\/p>\n

– Eu and YOU, Vienna, Ljubljana\/KULTUR KONTAKT, 2004<\/p>\n

– Art Center in Seoul, Korea, (exhibition with screenings), 2004<\/p>\n

– Erste bank collection, MUMOK, Vienna , 2006<\/p>\n

– HACK.Fem.EAST, Kunstraum Kreuzberg \/ Bethanien, Berlin, Germany, 2008<\/p>\n

– Working documents, La Virreina Centre de la Imatge, Barcelona, 2008<\/p>\n

– Open space, Vienna, 2008<\/p>\n

-WUK, Smell it, group exhibition, Vienna, 2009<\/p>\n

2010<\/span><\/b><\/p>\n

– Open space, Vienna, (group show), 2010<\/p>\n

– Who is to live and who should die? \/ Photon Gallery, Ljubljana, 12.07.2010 to 23.07.2010<\/p>\n

– Festival Izbruh, Koper, Slovenia, (screening), 2010<\/p>\n

– BEGEGNUNGEN IN RELATIONALER GEOGRAFIE \/ Open Space, \/ Zentrum Fur Kunstprojekte, Vienna, curator Richard Appignanesi, 02.06.2010 \u2013 02.07.2010<\/p>\n

– AKTIVNA KRITI\u010cNA MISEL Club Jedro, Medvode, Slovenia, curator Emina Djuki\u0107; on 24.9.2010<\/p>\n

– MIT UNS IST KEIN (NATIONAL)STAAT ZU MACHEN \/ Kunstraum NIEDEROESTERREICH, Vienna \/\/ curators Ursula Maria Probst and Walter Seidl, 2010<\/p>\n

– festival \/ CITY OF WOMEN, Racism, Europe, Capital, Queer (curated by Marina Gr\u017eini\u0107); KINODVOR, Ljubljana, 14.10.2010<\/p>\n

– European Film Festival for Documentaries dokumentART, Neubrandenburg and Szczecin, Germany, Poland, (screening, competition), 2010<\/p>\n

– Der Drang nach Osten PARALLELS TOWARDS POSTCOLONIALITY AND COLONIALITY WITHIN THE CENTRAL-EUROPEAN \/\/ Galeria HIT, Bratislava, curator Ivan Jurica, from 28.10 to 1.12.2010<\/p>\n

– LECTURE & BOOK, launch by Marina Gr\u017eini\u0107 & Real Artel, WIELS CONTEMPORARY ART CENTRE, Brussels \/\/ curator Real Artel on 3.12.2010<\/p>\n

2011<\/span><\/b><\/p>\n

– No Ifs, No Buts\/ Depo, Istanbul, project curators: G\u00fclsen Bal and Walter Seidl, 01.12.2010 \u2013 09.01.2011<\/p>\n

– RAISING DUST, Encounters in Relational Geography \/\/ Calvert 22 Gallery, London, curator Richard Appignanesi, from 7.12.2010 to 30.1.2011<\/p>\n

– Pieces de Resistance \u2013 St\u00fccke des Widerstandes\u201d, group exhibition, Kultur Forum Dresden, Motorenhalle, curated by Andrea Domesle, Michal Kolecek, Frank Eckhardt, from 28.5. 2011 to 9.7.2011<\/p>\n

– MARINA GRZINIC\/ AINA SMID; 30 YEARS: 26 WORKS IN 5 PARTS, Screening of video works from 1982 to 2011, Gallery D.O.R., Brussels, from 22.20. 2011 to 06.11.2011<\/p>\n

– Film and Video screening Spaceship Yugoslavia, Kino Arsenal, Rote Foyer, Berlin, curated by Nata\u0161a Tepavcevic, October 2011<\/p>\n

– Linking Positions: De-linking and Decoloniality\/\/Video-Screening and talk with Ursula Biemann and Marina Grzinic (moderated by Walter Seidl), WUK, Vienna, 27. 10. 2011<\/p>\n

2012<\/span><\/b><\/p>\n

– THE REVOLUTION WILL BE TELEVISED (AND BROADCAST ON THE INTERNET), group show, curated by Chilo Eribenne, IG BILDENDE Kunst, Vienna, from 6.12.2011 to 17.02.2012<\/p>\n

– PERMISSION FOR THE REVOLUTION, group show, curated by Cabello\/Carceller, OFF LIMIT, Madrid, Spain, from 9.03 to 16.03.2012<\/p>\n

– ART HISTORIES, curated by Marie-Jos\u00e9e Jean, VOX, centre de l\u2019image contemporaine, Montr\u00e9al, CANADA, 2012<\/p>\n

– RELATIONS\u00a0 at QUEERNESS, COMMUNITY, AND CAPITAL: TOWARDS NEW ALLIANCES OF THE POLITICAL, Euro-Balkan Institute, Skopje, Macedonia); M. Gr\u017eini\u0107, lecture and screening , August 13-18, 2012<\/p>\n

– Video Performing Practice, retrospective program Grzinic\/Smid, curated by Katarzyna Kosmala, Laznya, Gdansk, Poland, September 2012<\/p>\n

– Intermediality of Image and Politics, retrospective program Grzinic\/Smid, curated by Katarzyna Kosmala, CCA, Glasgow, Scotland, September 2012<\/p>\n

– RELATIONS at Pan\u010devski biennale,(visual part curated by Nikola Dedi\u0107 and Aneta Stojni\u0107) Pan\u010devo, Serbia, September 2012<\/p>\n

– Pavlova hi\u0161a (Pavel Haus), curated by Elisabeth Arlt and David Kranzelbinder, Laafeld\/Potrna, in the context of Steirischer Herbst, Austria (October 2012)<\/p>\n

– RELATIONS at Slovenian Cinemathek, Slovenian premiere: Relations, 25 years of the lesbian movement and the group LL-Skuc, Ljubljana,(October 2012)<\/p>\n

– RELATIONS at L\u2019 art pour L\u2019action 5 (Art Because of the Action)\u2013lesbian activist festival, organized by\u00a0 Novi Sad Lesbian Organization (NLO), Novi Sad, Serbia in the open public space Black House (CK13) in Novi Sad, November 1, 2012<\/p>\n

– RELATIONS at Slovenian Cinemathek, Festival of gay and lesbian films, Ljubljana (December 2012)<\/p>\n

– RELATIONS at Festival Queer Forum Sofia, Bulgaria (December 2012)<\/p>\n

– RELATIONS at IG Bildende Kunst, screening, project AIDS\/HIV ALS (ANDERE) FORM DER GOUVERNEMENTALIT\u00c4T, curated by Miltiadis Gerothanasis and Ivan Jurica, Vienna, Austria (December 2012-February 2013)<\/p>\n

2013<\/span><\/b><\/p>\n

-Kiberkino, screening of Obsession, Kiberpipa, Ljubljana (1.03.2013)<\/p>\n

-RELATIONS at Die Fakult\u00e4t f\u00fcr Kulturwissenschaften \u2013 AK Visuelle Kultur, Klagenfurt\/Celovec, Austria (March, 2013)<\/p>\n

-RELATIONS at Feminist Critique of Knowledge Production, programme at IUC, Dubrovnik, Croatia (May, 2013)<\/p>\n

-RELATIONS at Queeristam Festival in Amsterdam, part of the presentation of the project AIDS\/HIV ALS (ANDERE) FORM DER GOUVERNEMENTALIT\u00c4T, presentation by Miltiadis Gerothanasis and Ivan Jurica, Amsterdam, The Netherlands, May 2013<\/p>\n

-Was ist Kunst?, group exhibition, at Kunstlerhaus, Halle fur Kunst &Medien, Graz, presentation of the works by Grzinic and Smid from 1982, 1983, 1984 and RELATIONS;\u00a0 exhibition\u00a0 PART OF STEIRISCHER HERBST 2013; Sept.,21\u2013Nov., 21, 2013<\/p>\n

2014<\/span><\/b><\/p>\n

-Open Systems, group exhibition, several curators, Grzinic and Smid with Decoloniality\/Images of Struggle, GPLcontemporary, Vienna;\u00a0 Jan., 14\u2013Feb., 14, 2014<\/p>\n

-RELATIONS,\u00a0 screening and talk at the Center for Transdisciplinary Gender\u00a0 Studies, Humboldt University, Berlin,\u00a0 Germany, Jan., 15, 2014<\/p>\n

-RELATIONS, \u00a0screening and talk with Ivan Jurica, part of the exhibition Places of Transition, curated by Gulsen Bal and Walter Seidl, freiraum quartier21\/ovalhalle,Vienna, 4.03.2014<\/p>\n

-RELATIONS at the show Through her eyes\/Red Dawn festival,\u00a0 Alkatraz galerija, Metelkova mesto, Ljubljana (6.3.-18.03.2014)<\/p>\n

-SHARE \u2013 too much history, MORE future, curated by Annemarie Tuerk, Bosnian National Gallery, Sarajevo, Bosnia and Herzegovina (15.03.2014\u00a0 to 31.12.2014)<\/p>\n

-PERSPEKTIVA. K\u00fcnstlerische Positionen im post-jugoslawischen Kontext.Die Ausstellung perspektiva. pr\u00e4sentiert Arbeiten des jugoslawischen Undergrounds der 1970\/80er Jahre und Positionen junger K\u00fcnstler\/innen. Fotografie, Video, Malerei und Installation von Anton Bo\u0161njak, Sandra Fili\u0107, Gorgona, Marina Gr\u017eini\u0107\/Aina \u0160mid, Sanja Ivekovi\u0107, \u0160ejla Kameri\u0107, Dalibor Martinis, Natalija Ribovic, Spomenko \u0160krbi\u0107 Petra Gerschner, Kuratorin der Ausstellung, Gallery MVHS, M\u00fcnchen (19.03. 2014\u00a0 to 11.05.2014)<\/p>\n

-Video in Progress 5: Reflections of the Past, organized by Kolektiva Institute and Photon \u2013 Centre for Contemporary Photography; Grzinic and Smid part of the\u00a0 international video festival Video in Progress 5,\u00a0 main program selection by curators V. Bukovec and M. Zupanic, Ljubljana ( 5 to 7. 06. 2014)<\/p>\n

-International Kurzfilmtage, Oberhausen, Germany, distribution 2014, video Obsession<\/p>\n

-International exhibition, \u201cwe are here\u2026\u201d, curator: Lennard Dost, video Naked Freedom, das weisse haus, Vienna (12.11.2014-13.12.2014)<\/p>\n

2015<\/span><\/b><\/p>\n

-CONTROL \/ SHIFT \/ PLUS, Marina Grzinic\/ Aina Smid\/ Zvonka Simcic \u2013 Images of Struggle \/ Decoloniality; Curated by Alejandro Mondria; a joint exhibition by students of the international CAS\/MAS program in Curating at ZHdK with their individual artists. Postgraduate Programme in Curating,\u00a0 ZHdK\/Zurich University of the Arts, Gasthaus zum Baeren\/ Museum B\u00e4rengasse,\u00a0 Z\u00fcrich, Switzerland, 24.1.2015 \u2013 21.2.2015<\/p>\n

\u2013 RELATIONS, screening and skype talk at Human Rights House Zagreb, Croatia, organized by Milana Romic and\u00a0 Amir Hodzic, 28.01.2015<\/p>\n

-Videonale Bonn, presentation inside the festival, lecture The \u00bbpost\u00ab Eastern European situation seized by contemporary video works, Kunstmuseum Bonn, 18.03.2015<\/p>\n

– Homosexuality_ies \u2013 exhibition presented by the Deutsches Historisches Museum and the Schwules Museum, jointly funded by the Kulturstiftung des Bundes and the Kulturstiftung der L\u00e4nder, Berlin, 6.6-1.12.205; work by Tanja Ostoji\u0107 and Marina Gr\u017eini\u0107, with the title Politics of Queer Curatorial Positions: After Rosa von Praunheim, Fassbinder and Bridge Markland from 2003.<\/p>\n

-K3 INTERNATIONALER KURZFILMPREIS, presentation of Seizure; Villach, Austria, 16-20.09.2015<\/p>\n

-Image, racialization, History, an exhibition of videofilms (among others Seizure) and posters by Gr\u017eini\u0107\/\u0160mid, invited artist Bojan \u0110or\u0111ev; exhibition title Europe after the Cold War: Memory, History, Visuality, curator Aneta Stojni\u0107, FMK, Belgrade, 25-26.09.2015<\/p>\n

-Strategije arhiva: politike vremena – izvo\u0111enje roda (Strategy of the archive: polics of time – performing gender), an exhibition curated by Mi\u0161ko \u0160uvakovi\u0107 and altri, FMK, Belgrade, opening 25.11.2015<\/p>\n

-Relations at Regional Lesbian Forum \u201cSisters Outsiders\u201c, presented by Tatjana Greif and Ur\u0161ka Sterle, Skopje, Macedonia, 27.11.2015<\/p>\n

-Relations at Peta lezbejska nedelja (Fifth lesbian week) with the title Lezbejska YUbav nema granica, Labris, presented by Tatjana Greif and Ur\u0161ka Sterle, Belgrade, 12.12.2015<\/p>\n

-SHARE \u2013 too much history, MORE future, at National Museum of Monte Negro, Atelier Dado, Cetinje, Monte Negro, 2015<\/p>\n

-SHARE \u2013 too much history, MORE future, at Museum of Contemporary Art, Banja Luka, Bosnia and Herzegovina, 2015<\/p>\n

-SHARE \u2013 too much history, MORE future, at Vid\u00e9ographies, Digital and Experimental Images Festival, screening curated by Pierre Courtin, Th\u00e9atre de Li\u00e8ge, Li\u00e8ge, Belgium, 2015<\/p>\n

-SHARE \u2013 too much history, MORE future, at Plzen (part of the program European Capital 2015), Czech Republic, 2015<\/p>\n

-SHARE \u2013 too much history, MORE future, at Palais Porcia, Vienna, presentation of the catalogue, 2015<\/p>\n

2016<\/u><\/strong><\/p>\n

-Relations at IDAHOT, International Day against Homophobia, Transphobia and Biphobia, after Screening talk on Lesbian activism in Serbia, Slovenia and Bih (Gr\u017eini\u0107, Lepa Mla\u0111enovi\u0107, and Marija Vuleti\u0107), Muzej knji\u017eevnosti i pozori\u0161ne umjetnosti, Sarajevo (BiH), 17. 05. 2016<\/p>\n

– Bilocation and The threat of future, at the exhibition \u201cNotes from underground\u201d, Museum of Art in Lodz, Poland, (23.09.2016 \u2013 15.01.2017)<\/p>\n

-Screening program videos Gr\u017eini\u0107 and \u0160mid \u00bbIdninata e megu tvoite noze : seksualnosta i rodot vo alternativniot film i video vo Jugoslavia\u00ab, presented by Gr\u017eini\u0107, Kino Frosina, Skopje, Macedonia, 22.10.2016<\/p>\n

– Screening program videos Gr\u017eini\u0107 and \u0160mid \u00bbInside our proper concept of performativity in art and political activism\u00ab with a lecture by Gr\u017eini\u0107, Universit\u00e4t Z\u00fcrich, Switzerland, 2.11.2016<\/p>\n

-Screening\u00a0 program by Gr\u017eini\u0107 and \u0160mid, GR\u017dINI\u0106 AND \u0160MID: THE POLITICS OF EXPERIMENTAL VIDEO, presented by Gr\u017eini\u0107, ALTERNATIVE FILM\/VIDEO 2016, Dom kulture \u201cStudentski grad\u201d, Belgrade, 10.12.2016<\/p>\n

-Seizure presented at the Dislocations \u2013 the Desert of the Social,\u00a0 screening curated by Aneta Stojni\u0107, Raum D \/ Q21\/ MuseumsQuartier Vienna, 22.12.2016<\/p>\n

2017<\/u><\/strong><\/p>\n

–RADICAL CONTEMPORANEITY<\/strong> \u2013 Marina Gr\u017eini\u0107 and Aina \u0160mid 35 years of work revisited (1982\u20132017). Exhibition at KUNSTRAUM
LAKESIDE, Klagenfurt, Austria, 2017, curator Aneta Stojni\u0107, (12.05.2017 \u2013 14.07.2017)<\/p>\n

–Into the Now<\/strong>, performance by Marina Gr\u017eini\u0107 and Aneta Stojni\u0107 (KUNSTRAUM LAKESIDE, Klagenfurt, Austria), 11.05.2017<\/p>\n

–Dystopian futures<\/strong>, a panel discussion with jan Jagodzinski, Martin G. Weiss, Marina Gr\u017eini\u0107 and Aneta Stojni\u0107 (KUNSTRAUM LAKESIDE, Klagenfurt, Austria), 07.06.2017<\/p>\n

–Solipsism Revisited \u2013 Counter Strategies<\/strong>, <\/strong>exhibition, curator Walter Seidl (Gr\u017eini\u0107 and \u0160mid, featuring Aneta Stojni\u0107, Into the Now, video) at Fluc, Vienna (In der Kubatur des Kabinetts \u2013 der Kunstsalon im Fluc), 9.08.2017.<\/p>\n

-Program of projection<\/strong>, works by \u00a0Marina Gr\u017eini\u0107 and Aina \u0160mid. At t.i.c.t.a.c<\/strong> [taller de intervenciones cr\u00edticas transfeministas antirracistas combativas], Barcelona, Spain \u00a0(10.09.2017)<\/p>\n

–Wa(h)re Angst<\/strong>. Taking part in group exhibition, curator\u00a0 Janusz Czech. Cooperationin between EMMA – Kreativzentrum Pforzheim and the philosophical scientific magazine\u00a0 agora 42, Pforzheim, Germany (6.10.2017 \u2013 29.06.2017)<\/p>\n

–Trouble Diaries: A Political Statement<\/strong>, group exhibition, curated by Dermis P. Le\u00f3n (Curatorial Bureau), at Big House, Contemporary Art Center, 76 Linjiang Avenue, Wuchang District, Wuhan, China (29.11.2017 \u2013 29.12.2017)<\/p>\n

2018<\/u><\/strong><\/p>\n

–Current signs<\/strong> \u2013 Marina Gr\u017eini\u0107 and Aina \u0160mid taking part in a group exhibition with a poster-sign titled “The technologies of capture and control”, an exhibition\u00a0 curated by Enar de Dios\u00a0Rodriguez, at das weisse haus<\/em>, Hegelgasse 14, 1010 Vienna, Austria (21.02.2018\u00a0 \u2013 28.03.2018)<\/p>\n

–Sole Luna. Doc Film Festival. 13. edition<\/strong>, Marina Gr\u017eini\u0107 and Aina \u0160mid taking part in a screening program (works presented\u00a0 Bilocation and Labyrinth) at Renegotiating Identities: Video Art at Sole Luna curated by Sofia Gotti, Palermo, Italy ( 2-8.07. 2018)<\/p>\n

–Suspicious, implicated agencies: gender mutants, decolonial transfeminist, militant filmmakers, radical theoreticians, migrant sex workers.<\/strong> SCREENING PROGRAM curated by Marina Gr\u017eini\u0107 and Tja\u0161a Kancler. Marina Gr\u017eini\u0107 and Aina \u0160mid taking part in a screening program (works presented\u00a0 Naked Freedom, Relations, Seizure), Maribor, Slovenia (12.10.2018)<\/p>\n

2019<\/u><\/strong><\/p>\n

–Czym jest sztuka polityczna wobec przemocowo wymazywanych kontrkulturowych historii? [What is Political Art vis-\u00e0-vis<\/span> Violent Erased Counter-Cultural Histories?] – Marina Gr\u017eini\u0107, Aina \u0160mid<\/strong>, MAGAZYN RTV.COM<\/span>, <\/strong>no. 1 to 7, Selected contributions from online editions, Poznan, Poland 2019, pp. 9 to 15; text and artworks by Gr\u017eini\u0107 and \u0160mid, Polish and English; http:\/\/magazynrtv.com\/wydanie-1\/kanal-sztuki\/czym-jest-sztuka-polityczna-wobec-przemocowo-wymazywanych-kontrkulturowych-historii\/<\/a>
<\/strong><\/p>\n

–Shorts! The second evening of dance films.<\/strong> SCREENING curated by Matja\u017e. Marina Gr\u017eini\u0107 and Aina \u0160mid taking part in a screening program (work\u00a0 presented\u00a0 Rde\u010di \u010develj\u010dki\/Red Shoes. 1994), Slovenska kinoteka [The Slovenian Cinematheque], Ljubljana, Slovenia (14.09.2019)<\/p>\n

–Cheers to Women! 25 Years of Film and Video<\/strong>. Group exhibition, part of the City of Women festival program 2019.\u00a0 Curators: Vesna Bukovec and Ana \u010cigon. Marina Gr\u017eini\u0107 and Aina \u0160mid taking part with the video Obsession, 2008. Galerija Alkatraz, Ljubljana, Slovenia (24.09.2019 – 7.10.2019)<\/p>\n

–Dead and Alive.<\/strong> 9th Triennial of Contemporary Art U3. <\/strong>Group exhibition, curator: Vit Havranek. Marina Gr\u017eini\u0107 and Aina \u0160mid taking part with the video Labyrinth, 1993. Moderna galerija, Ljubljana, Slovenia ( 10.10.2019 – 12.01.2020)<\/p>\n

-New website documentation KONTAKT – COLLECTION \/ 2019
<\/strong><\/p>\n

Gr\u017eini\u0107 \/\u0160mid video work. Excerpt text by Marina Klonaris and Katerina Thomadaki<\/p>\n

https:\/\/www.kontakt-collection.org\/objects\/285\/postsocialism–retroavantgarde–irwin<\/a><\/p>\n

2020<\/u><\/strong><\/p>\n

–Collection of Contemporary Art Marino Cettina. <\/em><\/strong>Group exhibition. Museum of Contemporary Art of Istria, Pula, Croatia. Gr\u017eini\u0107 and \u0160mid. Digital prints. Catalog. Edited by M. Gr\u017eini\u0107. (19.06.2020 – 23.08.2020).<\/p>\n

– Digital Power: Activism, Advocacy, and the Influence of Women Online<\/strong>. Focus on the work of women: digital artists, storytellers, designers, gamers, film\/video makers, and other visionary digital content providers in an exhibition that inspires, empowers, and supports women. The online exhibition is curated by Kathy Rae Huffman, curator of the 2015 DAC online exhibition \u201cEnhanced Vision: Digital Video.\u201d DIGITAL POWER is a project of the ACM SIGGRAPH Digital Arts Community and is scheduled to premiere at the annual SIGGRAPH conference in Washington D.C. Gr\u017eini\u0107, \u0160mid, Sim\u010di\u010d, Video Relations (19-23.07. 2020).<\/p>\n

–NICHT MUSEUM ZEITGEM\u00c4\u00dfER KUNST (nonmuseum for contemporary art) on the Dresden Neumarkt, Germany<\/strong>. Works of art, productions, performances, readings, and much more will be programmatically realized and shown under impossible conditions \u2013 while there are no other conditions than those. Gr\u017eini\u0107 and \u0160mid, Video No War but Class War!. (25.07. 2020).<\/p>\n

–Aphrodite* \/ her* geographies, her* complices, her* intersexions,\u00a0 <\/b>Greek Film Archive (Tainiothiki). The queer-feminist film festival Aphrodite* 2020 is co-curated by the collectives: Aleanca LGBT (Albania), Sofia Queer Forum (Bulgaria), Pembe Hayat Kuirfest (Turkey), Tiiiit! Inc. (N. Macedonia).\u00a0Gr\u017eini\u0107, \u0160mid, Sim\u010di\u010d, Video Relations (5-5.12.2020, online)<\/p>\n

2021<\/u><\/strong><\/p>\n

–Mutual Fragments, <\/strong>@basisfrankfurt elbestra\u00dfe10, Frankfurt, Germany. Curator: Luisa Schlotterbeck; Marina Gr\u017eini\u0107 and Aina \u0160mid, video Labyrinth; participating: Chan Sook Choi, Marina Gr\u017eini\u0107 & Aina \u0160mid; Barbara L\u00fcdde; Jonas Monka (16. 07. 2021 – 17.07.2021)<\/p>\n

–Digital Power: Activism, Advocacy and the Influence of Women Online<\/strong> at: digital-power.siggraph.org. Curator: Kathy Rae Huffman.Gr\u017eini\u0107, \u0160mid, Sim\u010di\u010d, video Relations.This online exhibition has been in the works for more than a year, it is pre-pandemic, inter-generational, cross-disciplinary, diverse. inclusive and multiethnic. The works in the exhibition were juried by a wonderful group of artists, curators, and educators.\u00a0 Each work had three jury responses.\u00a0 (from Avgust 2021)<\/p>\n

–(S)ELECTION, exhibition. <\/strong>A.K.T; Theaterstra\u00dfe 21 75175 Pforzheim, Germany. Curator: Janusz Czech. Gr\u017eini\u0107 and \u0160mid: video Hi-Res. Die Ausstellung (S)ELECTION reflektiert den Prozess und die Rahmenbedingungen demokratischer Wahlen in verschiedenen L\u00e4ndern heutzutage und setzt sich mit den Vorschl\u00e4gen auseinander, die die Differenz zwischen Ideal und Wirklichkeit verringern sollen.\u00a0\u00a0 (23.09.2021-28.11.2021)<\/p>\n

–RELATIONS\/ 25 Years of The Lesbian Group \u0160KUC-LL. <\/strong>SCREENING. Belgium Cinematek (Brussels). work by Marina Gr\u017eini\u0107, Aina \u0160mid, Zvonka T Sim\u010di\u010d, Slovenija; Sloveni\u00eb \u2013 Slov\u00e9nie (15.12.2021)<\/p>\n

2022<\/strong><\/span><\/p>\n

–Kobiety na Akademiach\/Women at the Academies of Fine Arts.<\/strong> Aula Gallery, Academy of Fine Arts in Gda\u0144sk, Poland. Opening: 11 March 2022; exhibition curated by Anka Le\u015bnik; presentation Grzinic \/Smid work from 2015.\u00a0 Artists: Agnieszka Babi\u0144ska, Simone Bader, Joanna Bajus, Bogna Burska, Iwona Demko, Marina Gr\u017eini\u0107 & Aina \u0160mid, Magdalena Grzybowska, Valerie Habsburg, Sylwia Jakubowska\u0002Szycik, Martyna Jastrz\u0119bska, Dominika Kowynia, Anna Kr\u00f3likiewicz, Julia Kul, Anka Le\u015bniak, Adriana Majdzi\u0144ska, Aurelia Mandziuk, Ludmi\u0142a Ostrog\u00f3rska, Marion Porten, Eliza Proszczuk, Janina Rudnicka, Jolanta Rudzka-Habisiak, Anna Tyczy\u0144ska, Magdalena Wawrzyniak, ania w\u0142odarska [a.w.], Agata Zbylut, Vivian Crespo Zurita. (11-31.03 2022)<\/p>\n

–<\/span>RELATIONS and the TRANSFORMATIVE POWER OF DECOLONIAL and LGBTQ+ EXPERIMENTAL VIDEO FILMS<\/a><\/span>,<\/span> Marina Gr\u017eini\u0107 lecture. At ERG \/ (ECOLE DE RECHERCHE GRAPHIQUE) Rue du Page 87 1050 Brussels, Belgium.<\/strong> The event at ERG is an initiative of \u00a0Our Story (Cinematek Brussels) and Master Pratique de l\u2019art, outils critiques (ERG), in partnership with \u00a0l\u2019ISELP. (28.03 2022)<\/p>\n

–Discussion:<\/strong> avec les \u00e9tudiant\u00b7e\u00b7s de PAOC le 29\/03 de 10h \u00e0 12h (r\u00e9serv\u00e9 aux \u00e9tudiant\u00b7e\u00b7s de l\u2019erg) with Marina Gr\u017eini\u0107. <\/span><\/b>The event at ERG is an initiative of \u00a0Our Story (Cinematek Brussels) and Master Pratique de l\u2019art, outils critiques (ERG), in partnership with \u00a0l\u2019ISELP (higher institute for the study of plastic language<\/b>)<\/span><\/span>. (29.03 2022)<\/span><\/p>\n

–Marina Grzinic et Aina Smid, quarante ans d\u2019art vid\u00e9o militant. Marina Gr\u017eini\u0107 and Aina \u0160mid, 40 years of militant art video.\u00a0<\/strong> With\u00a0 Marina Gr\u017eini\u0107. Event screening and talk: Moments of Decision (1985, 14\u2019); Bilocation (1990, 12\u2019); Labyrinth (1993, 12\u2019) Luna 10 (1994, 11\u2019); Obsession (2008, 16\u2019). ISELP, Brussels. Organized by Our Story, le rendez-vous mensuel LGBTQIA+ de CINEMATEK, et l\u2019ISELP.\u00a0 (7. 04.2022)<\/p>\n

-Marina Grzinic: Paralelne zgodovine opolnomo\u010denja in urbanosti Slovenije 1980\u20131990\u20132000 \/ Parallel Histories od Slovenia’s Empowerment and Urbanity 1980-1990-2000. sistory.github.io\/ljsubkultmediji\/<\/a> <\/span><\/p>\n

–Marina Grzinic & Aina \u0160mid : 40 YEARS OF WORK: DISSIDENT HISTORIES (1982\u20132022). <\/strong>Galerija Lo\u017ea Koper\/Galleria Loggia Capodistria \/ SLOVENIA. Marina Grzinic & Aina \u0160mid have been working with video since 1982. They have participated in numerous video, media and film presentations and received numerous awards. In Piran Coastal Galleries they present themselves not with a retrospective, but with a rearticulation of the state of affairs in video production in the national context. This is their first presentation in the Lo\u017ea Gallery Koper, where the artists are offering us a rich overview of their work. Numerous guiding tours in the frame of the exhibtion, the last 8.02.2023. (25.11.2022-28.2.2023)<\/p>\n

2023<\/strong><\/p>\n

–Marina Gr\u017eini\u0107 & Aina \u0160mid,<\/strong> taking part in the group ehxibition T-ERROR UN-CLASSIFIED 00-XX<\/a> *, curated by Jelena Petrovi\u0107. <\/span><\/b>Lana \u010cmaj\u010danin, Marina Gr\u017eini\u0107 & Aina \u0160mid, Flaka Haliti, Ana Hoffner *ex-Prvulovic, Margareta Kern, Katalin Ladik, Svetlana Mara\u0161, Red Mined, Milica Tomi\u0107. The exhibition was organised by VBK\u00d6 in collaboration with 2.0 Association for Art, Research and Practice, and it is a part of the FWF research project V-730: The Politics of Belonging \u2013 Art Geographies (2019-2023). VBK\u00d6, Vienna. (6. 01. 2023\u201329. 01. 2023)<\/p>\n

–Marina Grzinic and\u00a0 Aina Smid, <\/strong>screening Bilokacija (1990), during a screening evening curated by Juliet Jacques in the context of the\u00a0 exhibition Chrysalis, <\/a>Centre d\u2019Art Contemporain Gen\u00e8ve. <\/a><\/strong>Juliet Jacques\u00a0 was invited\u00a0 by Andrea Bellini, director of the Centre d\u2019Art Contemporain Gen\u00e8ve<\/a>, to curate\u00a0 a\u00a0 film program for\u00a0 the\u00a0 Cinema on the Centre (28.03.2023)<\/p>\n

–Marina Grzinic and Aina Smid, work Labyrinth (1993). Group exhibition: <\/strong>Body and Territory. Cross-border Dialogues. A cooperation with MSU Zagreb. Kunsthaus Graz.\u00a0 (26.05.2023 -27.08.2023)<\/p>\n

–KIG! KULTUR in Graz; exhibition INSURGENT FLOWS. THRIVING OF BLACK, BROWN, INDIGENOUS, QUEER AND TRANS VITALITIES. WHITE TOPOGRAPHIES OF COERCION AND EMANCIPATION.<\/strong>Curators: Anita Hofer, Eva Ursprung; Authors of the exhibition: Marina Gr\u017eini\u0107, Tja\u0161a Kancler, Jovita Pristov\u0161ek. Artists: Marina Gr\u017eini\u0107, Tja\u0161a Kancler, Jovita Pristov\u0161ek, Jill H. Casid, Bojan \u0110or\u0111ev, Sini\u0161a Ili\u0107.\u00a0 Installation video film Insurgent Flows. Trans*Decolonial and Black Marxist Futures (full length version, 90 min., 2023) was presented at exhibitions besides many other works.(KIG! KULTUR in Graz, 20.09. 2023 \u201310.11. 2023)<\/strong><\/p>\n

–Museum of Modern Art, MG+ Ljubljana. <\/strong>For Your Pleasure<\/strong>. <\/strong>Feminist Positions in Visual Art in and from Slovenia. Group exhibition. <\/strong>Curator: Martina Vovk. Included projections of 3 video works, part of the collection of the Museum of Modern Art, MG+, Ljubljana: Bilocation, Relations, Insurgent Flows. <\/strong>(Exhibition at view, Museum of Modern Art, MG+, Ljubljana, 7.10.2023\u201314.04.2024)
<\/strong><\/p>\n

–Screening and lecture on Insurgent Flows. Trans*Decolonial and Black Marxist Futures<\/strong> (full length version, 90 min., 2023), no discussion, mute audience, spechelles reaction, Universit\u00e4t f\u00fcr angewandte Kunst Wien (3. 10. 2023)<\/p>\n

–Screening of\u00a0 Insurgent Flows. Trans*Decolonial and Black Marxist Futures<\/strong> (full length version, 90 min., 2023), vivid discussion, Michaelis School of Fine Arts, University of Cape Town, South Africa (<\/strong>11. 10. 2023)<\/p>\n

–Premiere screening of the film in Slovenia<\/strong> Insurgent Flows. Trans*Decolonial and Black Marxist Futures (full length version, 90 min., 2023), discussion aterwards, 16.11.2023\u00a0 as part of the exhibition Museum of Modern Art, MG+ Ljubljana. For Your Pleasure. Feminist Positions in Visual Art in and from Slovenia (Museum of Modern Art, MG+ Ljubljana, 16.11.2023)<\/p>\n

2024
<\/strong><\/p>\n

–t.i.c.t.a.c, Barcelona; screening film Insurgent Flows.<\/strong>Talks afterwards with\u00a0 Basha Changue, Marina Grzinic and Tjasa Kancler (t.i.c.t.a.c. Barcelona, 20.01.2024)<\/p>\n

–Galerija Photon, Ljubljana<\/strong>. Exhibition Insurgent Flows and Insurgent Images<\/strong>. Curators: Marina Grzinic and Jovita Pristov\u0161ek. Featuring: Tja\u0161a Kancler, Aina \u0160mid, Zvonka T. Sim\u010di\u010d, Nina Cvar, Sini\u0161a Ili\u0107, Vesna Liponik, Kristina Bo\u017ei\u010d, Jovita Pristov\u0161ek, Marina Gr\u017eini\u0107 <\/strong>(Galerija Photon, Ljubljana,1.2.2024\u201323.2. 2024)
<\/strong><\/p>\n

\u00a0– Experimental documentary video film Insurgent Flows. Trans*Decolonial and Black Marxist Futures (full length version, 90 min., 2023), AMRO24 Showcase<\/strong>, \u00a0 and the director cut screening and discussion on 9.05.2024 (afo \u2013 architekturforum ober\u00f6sterreich, Linz, Austria, 8. 5. 2024 \u2013 17. 5. 2024)<\/p>\n

-Experimental documentary video film Insurgent Flows. Trans*Decolonial and Black Marxist Futures, director cut screening and discussion,\u00a0 Kunsthochschule Mainz, Germany<\/strong> (23. 5. 2024).<\/p>\n

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VIDEO-FILM SCREENINGS (selection) – World Wide Video Festival, Den Haag, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995– European Media Art Festival, Osnabruck, 1988, 1990, 1994, 1995, 1997, 1999– Videonale, Bonn, 1992– Muu Media Festival, Helsinki, 1990– International…<\/span><\/p>\n

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