{"id":1690,"date":"2023-01-05T15:52:37","date_gmt":"2023-01-05T15:52:37","guid":{"rendered":"http:\/\/stage.grzinic-smid.si\/?p=1690"},"modified":"2023-01-05T15:55:33","modified_gmt":"2023-01-05T15:55:33","slug":"t-error-un-classified-00-xx","status":"publish","type":"post","link":"https:\/\/stage.grzinic-smid.si\/?p=1690","title":{"rendered":"T-ERROR UN-CLASSIFIED 00-XX"},"content":{"rendered":"\n
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The T-Errors Un-Classified 00-xx <\/em>exhibition deals with art geographies and politics of non\/belonging created through contemporary systems of classifying and curating art within the geopolitically shaped archives.<\/p>\n\n\n\n

The VBK\u00d6 space exhibits a part of the documentary material of the selected artworks which challenge geopolitical and other identification methods of classification, regardless of whether the archiving of art is local or international, institutional or non-institutional, universal or particular. Documentary interventions coming from different art practices of the post-Yugoslav space are exhibited in the form of annotated artography. At the same time, these interventions enable the creation of a temporary counter-archive but not its lasting identification within this or any other present geopolitical determination. The artistic positions within this exhibition point to geopolitical zones of discomfort, either in terms of one\u2019s own non\/belonging to given geopolitical determinants or in the context of artworks which problematise the diversifying politics of forced, entrenched or chosen identities. Dedicated to art practices which originate in interconnected processes of becoming and erroring, the exhibition questions the ways of recognising different art geographies through archiving, exhibiting, and producing knowledge about them.<\/p>\n\n\n\n

In search of the new meanings of non-aligned geographies that resist historical and social power relations established through the network of geopolitical identities, the exhibition\u2019s focus is on those singular\/unique art practices which transgress the borders of already established cartographies. In other words, the exhibition materialises as a counter-turn<\/em> or error-turn<\/em> in the geopolitical process of identification and classification within archiving and curatorial practices of today\u2019s art. As such, it represents a particular kind of exhibition research into art geographies through the politics of error.<\/p>\n\n\n\n

Exhibition<\/strong><\/p>\n\n\n\n

6. October \u2013 29. January 202<\/strong>3
Opening hours:<\/strong> Thu \u2013 Sat: 14:00\u201318:00
\u2014
Opening: <\/strong>5. January, 18:00
Talk (Jelena<\/strong> Petrovi\u0107: Politics of ERROR): <\/strong>27. January, 18:00\u201319:30<\/p>\n\n\n\n

Lana \u010cmaj\u010danin, Marina Gr\u017eini\u0107 & Aina \u0160mid, Flaka Haliti, Ana Hoffner *ex-Prvulovic, Margareta Kern, Katalin Ladik, Svetlana Mara\u0161, Red Mined, Milica Tomi\u0107
Curated by: Jelena Petrovi\u0107<\/p>\n\n\n\n

The exhibition is made in collaboration with 2.0 Association<\/em> for Art, Research and Practice,<\/em> and it is a part of the FWF research project V-730: The Politics of Belonging \u2013 Art<\/em> Geographies<\/em> (2019-2023).
Thanks to all the artists for their in-kind contributions, Lana \u010cmaj\u010danin for installation support, Milan Markovi\u0107 and Tijana Parezanovi\u0107 for translation, WHW\/Kunsthalle and R\u00f3na Kopeczky\/acb gallery for photo documentation, Tja\u0161a Kancler for video\/interview documentation, Zoe Gudovi\u0107 for help and friendly support and everyone who made this exhibition possible.<\/p>\n","protected":false},"excerpt":{"rendered":"

The T-Errors Un-Classified 00-xx exhibition deals with art geographies and politics of non\/belonging created through contemporary systems of classifying and curating art within the geopolitically shaped archives. The VBK\u00d6 space exhibits a part of the documentary material of the selected…<\/span><\/p>\n

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